Noise  (or whether the medium the message?)
The exhibition consists of works executed in various techniques and media; classical (paintings, drawings, sculpture), and in terms of understanding the new image (advertising boards, illuminated signs, badges ...) For all the "lyrics" existing alphabet.

 The intention is to release the semantically recognizable text, lead the viewer into a situation that means of communication experience, the starting point as a foreigner in a country whose language and does not know the alphabet, and then as a field for new tumačenja.To is enabled in the following ways:

1.By placing the works without the visible rules, so act like them too and that without order placet space galleries. Based on the fact that during the proliferation of texts in all forms comes to losing meaning. For example, the ads themselves, lose their function (no longer distinguish which is which bank, coffee ...) and through them over something like the semantic and motivational irrelevant. Our visual and acoustic fields are to the measures used to them, that they usually ignore. In this way, become the only noise.

2.Changing strategies of the media, the legality of one incorporated in the second. For example, the "Trademarks" was first generated using the graphics program and then transferred to canvas, graphite is trodimenzinizovan and became a sculpture, and design itd.Umetnost are isprepletali and influenced each other. Contemporary art works contain text such as, for example, sculptures and paintings Robert Indiana, installation Jenny Holcer, Bruce Nauman ... Also, we can mention the download subcultural patterns in marketing and political purposes (graffiti on billboards and the like).