The intention of the artist is to make an exhibition of drawings by using magnets, setting the magnetic structures below the carrier, ie drawings. paper, cloth ... On the surface  metal shavings, which puts without order, holding line formations that follow the magnetic powers and then fixes the situation, and thus receives the drawing.
The exhibition will be divided into three segments. The first will be a series of experiments with a given material, and these experiments will be recorded and documented. The second is a video presentation of documentation on the exhibition. The third would serve as a reflection of the geometrical structures that represent the basis for the geometry of symbols, through specified procedures.
... The ultimate value of this exhibition may be the allowance of the audience to assume the function of artists and itself become a "social character" job "the art of engineering" that allows us to manipulate molecular atoms of which art is made and the concept drawings. Here the audience, such as computer-generated magnetic waves, to the artist and not the magnets ... Everyone in this exhibition become magnetic powers, cellular devices that multiply and improve. In the case of Milos Vujanovic Arts and Sciences created a small pattern of socialization and resemble the cross of new scientific and technical discoveries through the changing perception of the work. Here is the ontological reasons, I suggest that the reflection opiljaka on canvas caused by magnets, only a pale copy of authentic beauty, and as such there is no reason to function as art.

(excerpt from the text Zivka Grozdanic)